The following is a commentary I wrote in the last part of my book I am not an artist.
I think everybody should read it, not because I wrote it, but because there are a lot of people who just don’t know how good they are and/or they let fear and criticism stop them from doing things they really enjoy and wish to do.
So just in case you didn’t buy or download my book, here it is.  
I know it’s a little long but I hope you will be able to read through before falling asleep.
The text, by the way, was written by me but edited by Ryan, my favorite editor.

And finally some final thoughts

So if you actually read through this book page by page, it ought to be apparent to you by now that all methods, practices, and suggestions presented here are simple and can be easily done, even by someone who considers themselves artistically challenged, maybe someone just like you.
It’s true that often people who see my work claim “you are a true artist!” but I know they are wrong; I am not an artist. What I am is an imaginative (Ok a dreamer) (but always resourceful) person whose brain does not stop coming up with ideas, sometimes just weird or impractical, but always pure fun.
And this is what it’s all about: F-U-N
In the first few years I just took pictures, for my pleasure no doubt, but also mainly because I felt like I HAD to. I tried photographing simultaneously to the energetic pace of the streets. It meant photographing while on the move without paying too much attention to the common rules of photography (you can read all about it in my previous book: No Rules Street Photography).
This has not changed much.

However, as I entered my fifth year of taking streets and city pictures, I became weary and even, yes, well, bored.
Not all the time though; when I traveled to new places it was great and exciting and I took pictures like there is no tomorrow. But around home things just did not feel so thrilling anymore. And even though I was slowly loosing interest, quitting photography was never an option. Instead I began looking for new (and possibly more stimulating) ways of taking pictures. I went to bookstores looking for the right book (didn’t find any). I visited many photography sites in search for new ideas. At my lowest I even read through a few discussions on a couple of photography forums (yes, those places where people sign up to complain about various obstacles in their fascinating life.)
But the solution, as so often happens, hit me in an entirely unexpected place.
It happened while standing in line at our local drugstore.
It’s actually quite simple: while standing in line, I noticed they were selling Polaroid cameras over there.
“That is it!” I said to myself, “New and fun cameras! This is exactly what I was looking for.”
Obviously, I bought the Polaroid, and it did not take long before I began shooting medium format film in toy cameras and hunt second hand stores and garage sales for classic cameras.
While shooting toy and classic cameras I realized the final photo does not have to be at all perfect, and I began looking for new ways to present my photos in non-traditional ways.

One mistake people often do is they think that just because they have no known artistic ability they cannot approach their work in an artistic manner.
In fact, I believe the fact I have no artistic education whatsoever, along with the sad reality I cannot draw, paint, sculpt, or even make a straight line, provided me with the freedom to experiment with non-standard and unusual (not to say bizarre) approaches to my photo presentation.

So, that’s all I have to say. Don’t be afraid to explore, experiment, fail, and discover, no matter what others (or even you), might say about your limited abilities.
It’s about time to toss away and forget about the memory of your sixth grade art teacher and her opinions about what is good art.
Find your own style. In fact, you don’t even have to precisely follow any of the methods presented in this book but you can use them to inspire and jumpstart your creative thought to develop your own unique direction.
Sometimes people show me images they processed that were inspired by one of my techniques; however, if I can be blunt here, what they come up with has little similarity to what I do, and that’s the beauty of it. Whatever you make will be a one–of-a-kind creation based on your own unique experiences and viewpoint.